Philosophy, Art & Technology
My research investigates the relationship between art and technique, and examines how media technologies have given rise to particular social formations now characteristic of our increasingly digital environment. All of my work, including my first book, presents a materially focused analysis of artistic practices. I am committed to studying a shift in today’s modes of cultural production and cultural heritage where technology plays a decisive role.
I am thus invested in the collaboration and exchange between artists and scientists to foster practice-based research as a method to transform higher education and society more broadly. These article publications and other introductions, edited volumes, curation, and interviews, aim to connect to debates in performance and media studies on the impact of technology on cultures and employ a cross-disciplinary approach to study technologically-mediated representational practices in social life.
You can download a complete list of my publications here (last updated in 2024).
The Instrumentarian Power of Artificial Intelligence in Data- Driven Fascist Regimes
De la scène augmentée à la poétique de l’hypermatière: le digital dans The Alices (Walking) de Claudia Hart
Collective Freedom in the Age of Advanced Cultural Industrialization. With Phokeng Setai
Against Walt Disney’s Corporate Education Walter Breckenridge’s Nature Films as Scientific Investigation
Anxiety in the Society of Preemption: On Simondon and the Noopolitics of the Milieu
Agency in Exile: Spectatorship, Television, and Mediation in Kossi Efoui’s play Récupérations
