Philosophy, Art & Technology

Performative Images explores how video-image technology impacts our psychic and social environments. We know media technology is dramatically shaping our political and epistemological landscape: this book foregrounds the emergence of performative video images as a key factor in the revaluation of culture and politics.

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Anaïs Nony, PhD

I am a philosopher working on contemporary art and the question of technology. I studied theater at the Sorbonne-Nouvelle and philosophy at the University of Minnesota where I wrote her doctoral thesis under the direction of French philosopher Bernard Stiegler (1952-2020). I received international research fellowships from the New York University Tisch School of the Arts, Institute for Advanced Study at the University of Minnesota, the School of Criticism and Theory at Cornell University, the Andrew W. Mellon Foundation at the University of the Western Cape and the South African Research Chair Initiatives in Social Change at the University of Fort Hare. In 2021, I co-curated “Data Streams. Art, Algorithm and Artificial Intelligence” at the Glucksman Gallery in Ireland. I am the author of Performative Images. A Philosophy of Video Art Technology in France (Amsterdam University Press, 2023) and co-editor of the Edinburgh Companion to Gilbert Simondon (forthcoming Nov. 2025). I have been a guest speaker at Stanford, Berkeley, Harvard, Centre Pompidou, Quai Branly, Johannesburg Institute for Advanced Study, Institut Français d’Istanbul, Ankara, Izimir among many other venues. I spent the first fifteen years of my life in the backstage of the Mogador theatre in Paris where I learned to engage with live art and performances.

© Fabien Hildelberg

Featured publications

Proletarianization of the Mind. A Media Theory of Artificial Intelligence
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Care as Invention. A Tribute To Bernard Stiegler
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Why we must give Big Tech the Book
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Géologie de l'autre. La rencontre comme tremblement de la chair